They all belonged to the freedom movement whose more famous members were yet to come, ie Bhagat Singh, Sukhdev Thapar and Shivaram Rajguru, all in their early 20s when they went to the gallows in 1931 in the Lahore Conspiracy Case. Three of his fellow freedom fighters were also hanged in the same case, among them his lifelong friend Ashfaqulla Khan, 27. While in the death cell, Ram Parasad also penned his famous song Mera Rang de Basanti Chola. We the citizens have a struggle on our hands. Ram Parasad Bismil, 30 at the time, walked to the gallows chanting вЂњsarfaroshi ki tamannaвЂќ. According to A History of Indian Literature 1911-1956 - Struggle for Freedom: Triumph and Tragedy by Sisir Kumar Das, sentenced to death for his вЂrevolutionary activitiesвЂ™ referred to as the Kakori Conspiracy in 1925. The poem was made great by a freedom fighter who happened to not just share his nom de plume but was a poet in his own right, Ram Parasad Bismil. He wrote it as a ghazal, a genre of Persian and Urdu tradition usually associated with romance as opposed to nazm which is considered better suited to revolutionary and resistance anthems.Д«ismil wrote it as a 20-year-old in an environment reverberating with the massacre of Jallianwala Bagh and other atrocities let loose by the British colonialists. Syed Shah Mohammad Hassan, popularly known as Bismil Azimabadi, was born in 1901 in Patna, Bihar, in British-ruled India. The creator of such a moving verse and the genre he used deserves a little recognition and acknowledgement before we proceed to assess the suitability of the narrative that springs from it. No literature festival, no political protest is complete without someone breaking into that pulse-racing, heart quickening chant вЂњsarfaroshi ki tamanna ab hamarey dil mein hey: dekhna hey zor kitna bazu-i-qatil mein heyвЂќ (we have a yearning in our hearts to lay down our lives: let us test the strength of the murdererвЂ™s blow). The narrative, alas, is not in keeping with the changed realities.ДЄn anthem from the Indian subcontinentвЂ™s freedom struggle has sprung to life from the simmering remains of the colonial crime ie the post-colonial power grab. The progressive, liberal segment of society, particularly its youth, is exerting itself after decades of repression. The state apparatus historically associated with such forces is at least making a show of distancing itself from them. We currently find ourselves faced with the demons of militancy and extremism. Different challenges and times call for different narratives. To overcome the bitterness of the past and for an objective look at the present, new narratives are required. In a way, idea and narrative must coincide to give birth to a movement. Even ideas need words for conception and expression. IDEAS shape narratives that in turn shape history.

Sarfaroshi ki tamanna poem in urdu